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Orchestral Tools Symphonic Sphere v2.1 KONTAKT柏林交响乐团
T8 X+ d9 w' P; A% O2 a5 N音色库：29.6GB
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业界首款TRILLS ORCHESTRATOR适用于小提琴，Violas，Cellos和Woodwind乐团。在键盘上滚下你的和弦，Trills Orchestrator会在你演奏的音符之间安排颤音。 ! I- U0 }2 y: c7 L. ?
SYMPHONIC SPHERE is an orchestral sample library, focused on symphonic flickers and shimmering articulations like fingered tremolos, trills in many different styles (sul ponticello, harmonics, sfz,...), harp beds and glisses. Let your orchestrations breathe and shine with a huge collection of never before recorded, playable articulations performed by the same musicians of our first release “Orchestral String Runs” recorded at the same scoring stage. FEATURES9 Q" z/ _) k( J% _4 K% x
- The industry′s first TRILLS ORCHESTRATOR available for Violins, Violas, Cellos and the Woodwind Ensemble. Roll off your chords on the keyboard and the Trills Orchestrator will arrange trills between the notes you′re playing. (If you play C/E/G e.g. the Instrument will trill between C-E and E-G). You do not need to use any keyswitches!3 j; S: o, G, z+ f `) [
+ semitone trills8 ?. K* |6 p1 J# q: N; {5 ]
+ wholetone trills
- w3 W9 q u" B4 T- A7 v+ minor 3rd trills8 V% o/ v" W. {7 a. n% p: l
+ major 3rd trills
/ A$ d6 m' Y0 ~7 S0 Y2 M+ 4th trills, E; y. N ^0 h, i7 O6 |
+ augmented fourth trills
# @' z) k& ^( Y# c5 K+ 5th trills
* w- Y$ {- @/ m3 t- Symphonic Harp with PEDAL CONTROL. We have sampled all strings of the Concert Harp in all pitches. Playable, realistic glissandos in pentatonic e.g. are now possible.+ y# w- `7 r) z
- Never before recorded SWEEPS (short/ fast)
( `+ _ F5 E2 S+ tremolos, A; O# P5 F) y
+ trills (HT/WT)( n' T; {6 c$ u% ]1 G- t) b1 N2 p
- Sfz Trills and Tremolos
7 j6 Z1 ~* Y) d9 U# F, G/ {6 G" T5 P- Pizzicato Tremolo
# M5 r |4 r9 A; c5 ?; v( k- Sul Ponticello Set
C. H" [2 j/ Q: x3 ~+ tremolos
2 t3 Z# F- o9 M% a, E$ [4 S+ trills (HT/WT)0 c5 w( }. _) ]' x( _/ ]( U+ j
- Flageolet Set (harmonics)! x" `4 t6 S1 i( N# b) t
+ glissandos
- tremolos3 a1 u2 A& P, n& t
+ normal
; `8 }/ X1 b/ ]! t1 x- Big sounding basic articulations (for better blending!)& j+ d. ]3 O h/ v$ W
+ staccatos with RR
& s [5 Y! y6 W9 Z4 {+ sustains with X-fade-control via modwheel (CC1)
0 y: k& {: J" I+ _+ pizzicatos with RR
1 i4 t# }5 Z2 ?6 ?2 k6 h; C+ tremolo with X-fade-control via modwheel (CC1)9 G% `( o3 v: A3 X
- Hundreds of pre-recorded scale glissandi and beds for Harp" ]4 @* I2 N6 p! Y. `
+ major
( n: J( [8 R. W4 w6 I, E+ minor8 E! b1 C$ V: y: n6 W; A( h
+ octatonic
7 s- f5 [& [! M6 v" y9 @+ whole tone) ^/ v, g+ T4 F% Q. @! A1 r
+ pentatonic: s9 ^4 b1 u, x ^7 ^" s* D% |7 ]
- 3 mixable mic-positions in all patches (Tree, ORTF, Close)
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